In the text of Joseph Albers ‘Homage to the Square’ titles the content of art as a ‘visual formulation of our reaction to life’.

Abercrombie’s work is an intelligible response to Alber. This new series explores visual conceptions of real constructs guised in allegorical prose.

A tangibility of thick textures is the artist allure to a substance of reality, colours abstracted sets up the playful counterfeit that voyages into subsidiary realms.